Location sound recordist

Description
Production Sound Mixer/Recordist with own equipment. Since 1989. 4 nominations to Goya Awards for Best Sound. A Gaudi Award for Best Sound.

Member of
AMPS The Association of Motion Picture Sound (UK) https://www.amps.net/directory/daniel-fontrodona

Description
Oriduction Sound Mixer since 1989. 4 Goya Awards nominations for Best Sound. 1 Gaudi Award Prize for Best Sound. https://www.imdb.com/name/nm0285114/ English, Spanish, Catalan.

Member of
Academia de las Artes y Ciencias Cinematográficas de España AACCE Academia Europea de Cine AMPS Assiciation of Motion Picure Sound (UK)

Description
I listen, record and create sound for documentary and fiction. Some of the TVs for which I have worked are BBC, ITV, SKY, TVE

Description
Sound Mixer based in Madrid who has been working in the filmmaking industry since 2004. He specializes in location sound and is equipped to undertake any situation during shoot taking into account planning and cooperation between departments to achieve the cleanest and most intelligible sound possible. He counts with postproduction experience which means a profound knowledge of the craft of sound.

Description
I´m a sound technician with experience on cinema and TV, I´ve been working as a boom operator, mixer, re-recording mixer and sound designer.

Description
I have been working actively in the film industry since 2013. I am dedicated to production sound recording projects in Feature Films, Publicity, Documentary and TV Shows. I have my own equipment to develop it in numerous environments and scenarios.

Member of
Mi profesión me conduce a la obtención del mejor sonido alcanzable en set. Mi preocupación es la resolución de todos los eventos posibles en rodaje. Para lograrlo estudio en profundidad las condiciones de las locaciones,el equipamiento requerido, el vestuario y sus caracteristicas, los encuadres y la relación de perspectiva de la imagen respecto del punto de escucha. Procuro siempre obtener material adicional, tanto el registro de ambientes (stereofónico/5.0) de cada locación o la mejor interpretación que le corresponda a cada escena. Registro wildtracks y foley en set para cumplimentar los recursos narrativos innegables de cada situación.